Post-Impressionism
Post-Impressionism followed Impressionism in the late nineteenth century, as painters like Van Gogh, Cezanne, Gauguin, and Seurat kept its bright color but pushed toward more structure, symbolism, or personal expression. The term covers a loose group of artists rather than a single style, and it set much of the direction for twentieth-century art.
This collection includes Van Gogh's Irises and Sunflowers, Cezanne's Mont Sainte-Victoire, Toulouse-Lautrec's The Englishman at the Moulin Rouge, and Gauguin's Arlesiennes (Mistral). Every canvas is made to order and labeled with its size against the original painting.
