Held for scale — 8 x 10 inch canvas

Self-Portrait with a Straw Hat (obverse: The Potato Peeler) — Vincent van Gogh (1887)

8″ x 10″ (Vertical)
$49.00
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Held for scale — 8 x 10 inch canvas

Self-Portrait with a Straw Hat (obverse: The Potato Peeler) — Vincent van Gogh (1887)

$49.00
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Size

Van Gogh painted this self-portrait in Paris in 1887; the reverse of the same canvas bears his earlier painting The Potato Peeler.

Vincent van Gogh, 1887 — The Metropolitan Museum of Art.

  • Honest scale — sizes listed in inches — the original is 40.6 x 31.8 cm.
  • Source recorded — public-domain master scan, printed on matte stretched canvas, 0.75″ deep. Made to order.

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The story of this painting

The Story Behind Van Gogh's Straw Hat Self-Portrait

This is a two-sided painting. On one side is a bright portrait of Vincent van Gogh in a straw hat, made of short, separate dabs of color. On the other is a dark peasant scene he had painted two years earlier, in another country.

What you're looking at

Van Gogh painted himself in the summer of 1887 in a straw hat, with short, separate dabs of color rather than smooth blending. He was living in Paris with his brother Theo, where he was seeing Impressionist and Neo-Impressionist art first-hand.

Why he painted himself

The Met explains that Van Gogh was short of funds but still determined to improve at painting the human figure, so he became his own sitter. In a letter to Theo in September 1888, after he had moved to Arles, he wrote: “I purposely bought a good enough mirror to work from myself, for want of a model.” He painted more than twenty self-portraits during his time in Paris, from 1886 to 1888.

The picture on the back

The Met notes that several of his Paris self-portraits were painted on the reverse of earlier peasant studies, and this is one of them. The other side is The Potato Peeler, painted in February or March of 1885 in Nuenen, in the Netherlands, the year before he left for France. It is nothing like the self-portrait. Its palette is restricted and dark, the paint is coarse, and the drawing is blocky. In the winter of 1884–85 he painted more than forty studies of peasant heads, leading up to his first large multi-figure painting, The Potato Eaters.

A style that changed in two years

Between the two sides of this canvas, Van Gogh's whole way of painting shifted. In Paris he saw the Impressionists in person and the newest work by Georges Seurat and Paul Signac. He lightened his palette and tried both broken Impressionist brushstrokes and the dotted touch of the Neo-Impressionists. You can see that mix in the straw hat portrait.

What to look for

Look for the short, separate strokes of color that show his new Paris influences. Then remember that the dark, blocky Nuenen peasant study sits on the other side of the same piece of cloth.

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