Held for scale — 8 x 10 inch canvas

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836) — Jacques-Louis David (1788)

8″ x 10″ (Vertical)
$49.00
Skip to product information
Held for scale — 8 x 10 inch canvas

Antoine Laurent Lavoisier (1743–1794) and Marie Anne Lavoisier (Marie Anne Pierrette Paulze, 1758–1836) — Jacques-Louis David (1788)

$49.00
Shipping calculated at checkout.
Size

Antoine Lavoisier, shown here with his wife and scientific collaborator Marie-Anne, is considered the father of modern chemistry; he was guillotined during the Revolution's Reign of Terror in 1794, six years after this portrait was completed.

Jacques-Louis David, 1788 — The Metropolitan Museum of Art.

  • Honest scale — sizes listed in inches — the original is 259.7 × 194.6 cm.
  • Source recorded — public-domain master scan, printed on matte stretched canvas, 0.75″ deep. Made to order.

See all works by Jacques-Louis David →

The story of this painting

The Story Behind David's Portrait of the Lavoisiers

A well-dressed man sits at a table covered in scientific instruments, his wife standing beside him with a hand resting on his shoulder. He's often called the father of modern chemistry. Within six years of this portrait, he would be dead by the guillotine.

What you're looking at

Jacques-Louis David painted this double portrait in 1788, showing Antoine Lavoisier, widely considered the father of modern chemistry, together with his wife Marie-Anne, who worked as his genuine scientific collaborator, not simply a supportive spouse. She assisted with his experiments, translated scientific texts, and illustrated his published research, making the pairing in this portrait an accurate reflection of a real working partnership rather than a purely decorative arrangement of husband and wife.

A portrait made before a revolution took everything

Lavoisier's scientific achievements, including foundational work on the nature of combustion and the naming of oxygen and hydrogen, place him among the most important scientists of the 18th century. But his career and life came to a brutal end during the French Revolution's Reign of Terror: he was guillotined in 1794, just six years after this portrait was completed, a casualty of the same revolutionary upheaval that swept through French society in the years following. The scientific instruments arranged around the couple in the painting, meant to signal Lavoisier's professional achievements and modern rigor, now read with an added weight, a record of a life and partnership cut short by political violence neither of them could have predicted when they sat for this portrait.

One detail to look for

Look at Marie-Anne's hand resting on her husband's shoulder, and the scientific instruments spread across the table before them — a quiet visual statement that this was a true partnership, not a formal husband-and-wife arrangement for show.

See it at its real size

Our canvas print is labeled against the true size of the original — 259.7 x 194.6 cm — so what you're hanging is honestly scaled to the painting David made. Shop the canvas print.

Open as an article →

You may also like