Held for scale — 10 x 8 inch canvas

Rain, Steam and Speed – The Great Western Railway — J. M. W. Turner (1844)

10″ x 8″ (Horizontal)
$49.00
Skip to product information
Held for scale — 10 x 8 inch canvas

Rain, Steam and Speed – The Great Western Railway — J. M. W. Turner (1844)

$49.00
Shipping calculated at checkout.
Size

The painting depicts a Great Western Railway train crossing Isambard Kingdom Brunel's Maidenhead Railway Bridge over the River Thames.

J. M. W. Turner, 1844 — National Gallery, London.

  • Honest scale — sizes listed in inches — the original is 91 × 121.8 cm.
  • Source recorded — public-domain master scan, printed on matte stretched canvas, 0.75″ deep. Made to order.

See all works by J. M. W. Turner →

The story of this painting

The Story Behind Turner's Rain, Steam and Speed

A dark train barrels straight toward the viewer, half-dissolved in rain, steam, and speed. It looks almost abstract, more than a century before abstraction became a recognized style.

What you're looking at

J.M.W. Turner painted this scene in 1844, showing a Great Western Railway train crossing Isambard Kingdom Brunel's Maidenhead Railway Bridge over the River Thames. Brunel's bridge, with its unusually flat, wide brick arches, was itself a feat of engineering, and Turner uses it as the stage for a locomotive charging through a rainstorm, its form blurred into the surrounding weather rather than crisply outlined.

Painting a brand-new kind of speed

Railways were still a relatively new and startling technology in Britain in the 1840s, and Turner's painting captures something that had genuinely never existed before: the specific sensation of a train moving at speed through weather, faster than any horse-drawn vehicle a viewer would have experienced. Rather than paint the train and bridge with hard, precise lines, Turner dissolves everything into swirling color and light, so the whole canvas seems to vibrate with motion. It's less a technical diagram of a new machine and more an attempt to paint the feeling of speed itself.

One detail to look for

Turner himself painted a hare sprinting along the track just ahead of the locomotive, low down near the rails — hares were the era's stock symbol of speed, so the detail reads as a small joke about which one is actually faster. He brushed it in thinly, though, and over the last 180 years the paint has become so transparent that the hare has essentially vanished from the canvas; the National Gallery, which owns the painting, says it survives mainly in an 1859 engraving made after the original. So don't be surprised if you can't spot it — even in person, it's nearly invisible today.

See it at its real size

Our canvas print is labeled against the true size of the original — 91 x 121.8 cm — so what you're hanging is honestly scaled to the painting Turner made. Shop the canvas print.

Open as an article →

You may also like